キ、Que、消えん？Ki, Que, Kien?, by Hisato Higuchi 樋口寿人

キ、Que、消えん？Ki, Que, Kien?

by Hisato Higuchi 樋口寿人

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Compact Disc (CD) + Digital Album
- 6 panel digisleeve CD
- reverse board & printed inner spines
- w* full Japanese lyrics & Chinese translation

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1.	予感して囲むテーブルは美しく- Yokan Shite Kakomu Table Wa Utsukushiku 04:27	lyrics
人型ふたつみっつ真っ直ぐな瞳投げ出して開かれた地下、世界眩しさに時、駆けて赤青黄色追いかけた光綻びは見えない予感して囲むテーブルは美しく窓から遠く北から左曲がり高架下潜り騒音はメロディー夜、になりあの人が弾く、ギター、サラサラ赤青黄色降り注ぐ光予め失う予感して囲むテーブルは美しく窓から遠くサラサラーーーー預感中圍繞我的桌子很美人形兩個三個不轉睛的將眼色投入了被打開的地下，世界在眩暈著時間飛跑赤、青、黃色追逐的光破綻看不見預感中圍繞我的桌子很美但離窗戶很遠從北向左轉噪音從高架橋的下方潛入變成旋律的夜那人彈著吉他沙啦沙啦赤、青、黃色下落的光早就暗淡了預感中圍繞我的桌子很美但窗戶很遠
2.	ゴーストはハーモニーパレード - Ghost Wa Harmony Parade 04:29	lyrics
約束の場所へ行く君達が眠るパレードの音は何処へ私達、凍えたままで冬の街、影もなく進むふらふら・・命日は過ぎたけど来年を待てず幽霊がハーモニーならオルガンは街の明かりで聴こえてる、私達だけのメロディーーーーー和聲遊行裡的幽靈向約好的地方走去你們還在沈睡遊行的聲音去了哪我們，被凍住在冬日的街上，無影向前搖搖晃晃…… 忌辰已去等不及明年幽靈是和聲的話街道的燈就是風琴可以聽到的，只有我們的旋律
3.	印、拾い胸に - Shirushi, Hiroi Mune Ni 03:31	lyrics
小春の日はキの色、色々にして落ち葉に混じる印拾い、胸に付けた。いつかと同じ重さ、形だった聞こえるはずがない歌、声のメロディーこの街の鳥花片を散らかしている光と影の模様拾い、胸に仕舞う。閉ざしたままの心、場面だった聞こえた気がして耳、澄まして歩くーーーー印，拾起貼在心中小春的日子呢各式各樣的樹的顏色落葉上混雜的印記拾起，貼在心中烙印上和曾經一樣的重量一樣的樣子不可能聽見的歌，聲音的旋律街上的鳥把花瓣弄得亂糟糟的光和影的模樣拾起，貼在心中結束了封閉的心，在這樣的時刻好像聽得見了耳朵，豎起向前
4.	夏の夜の木霊 - Natsu No Yo No Kodama 03:35	lyrics
夏の夜蚊帳揺らす風で凍らせた果物食べた暗闇に射す光、ネオン鍵っ子のように待っている世界の至る場所で君が手の平を翳しているよ影は闇に混ざり続けて深く深く色付いてく夜の雲見上げる部屋の雑居ビル壁は鉛色呼び鈴が木霊する街は熱帯の東と南アジアの路地裏で君はざわめきのゴーストになって涙する見知らぬ人の熱帯夜、孤独揺らすはずーーーー夏日的回音夏夜蚊帳在風中搖擺吃掉凍住的水果在黑暗中射出的光，霓虹燈的光像等待父母下班的孩子一樣等待著無處不在的你手掌蓋在陰影上影子還和黑暗駁雜一處被深深地，染上色夜雲仰視房間里公寓大樓的灰色墻壁電話鈴響街道里的回聲是熱帶的東和南亞洲小巷里的你變成嘈雜的幽靈陌生人流著淚的熱帶夜，應該撼動了孤獨
5.	消えた言葉と散らばる4月 - Kieta Kotoba To Chirabaru Shigatsu 02:43	lyrics
消えた言葉 4月は散らばるから光が溢れている思い出せない顔は記憶のいずこか空っぽになりましたーーーー瑣碎的四月和消失的話消失的話四月瑣碎的緣故光芒四溢的無法記起的臉在記憶的某處變得空空蕩蕩
6.	世界は静か - Sekai Wa Shizuka 03:34	lyrics
日曜日君は朝早く起きて日が昇る前に祈り、捧げるけれど世界は静か君達の事知る人はいない名前だけなら何千回よりも続く言葉ずっと・・寝静まる街にタクシー残す光世界は静かそろそろ君も止まりそうだよーーーー世界很安靜周日的你早早起床在日出之前祈禱奉獻世界很安靜你們的事無人知曉若只是名字的話重覆數千次的話語一直…… 在安睡的街出租車留下的光世界很安靜你也即將停下看來走到盡頭了
7.	んんンMusic - nnn Music 05:03	lyrics
悪戯、落書敬虔さはなぜ永遠はエコーずっとずっと遠く見知らぬ場所の涙広がる河口電波を飛ばして音叉を重ねてもし世界がふたつなら誰も知らないんんンミュージックーーーー nnn 音樂惡作劇般的，亂塗虔誠，是為什麽永恒如回聲一般很遠很遠的陌生地方的眼淚蔓延到河口發射電波音叉重叠如果世界變成兩個誰也不知道的 nnn 音樂

about

▼WV055: Hisato Higuchi 樋口寿人 - キ、Que、消えん？Ki, Que, Kien?

After over two decades of releases on P.S.F. Records, Family Vineyard, Apollolaan and his own label Ghost Disc, WV Sorcerer is honored to present the latest physical release of Tokyo-based musician Hisato Higuchi (樋口寿人). An album of melancholy guitar melody and whispers, like a longshot of the overflowing light on the Tokyo street, a monologue from far away.

▼

Hisato is responsible for some of the most breathtaking, delicate, and smoke-filled guitar playing side of Loren Connors or the quieter sides of Keiji Haino. Those comparisons perhaps help to give an idea of where Hisato’s work floats, but it’s clear listening to him that his work is a very personal musical expression. His music is a Tokyo labourer’s blues. It evokes a ghost-like and ephemeral, auroral and sleep-deprived trance, his super slow and dreamlike guitar, sometimes lurking in feedback, sometimes barely touched, sketches out briefly heard whispers, exhausted emotional trembles. His vocals, when he drags himself exhausted to the mic, seem both distant and close, and just plain shattered; emotionally, spiritually, physically. In its weightlessness, it often feels as if each song has been carried to you on the slightest of breezes, and that a change in the wind would carry it elsewhere.
- arika.org.uk

Since 2003, Tokyo-based guitarist Hisato Higuchi has quietly released a series of equally-quiet albums, many on his own Ghost Disc label, which is appropriately named. Higuchi’s work on this and the previous two albums of his “Disappearing Trilogy” is a sort of shimmering, melancholy guitar-and-vocal atmosphere — downer psych-folk in a drifting haze. His lyrics are more imagery than story, touching on overflowing light, winter cities, the quiet world, and the transience of memories. As the guitar floats slowly into the distance, Higuchi’s voice, imbued with reverb, is calmly narcotic, like someone quietly sympathizing with a friend’s troubles. These songs, while melancholy, convey a peacefulness that’s a welcome counterbalance to the chaotic year in which we’ve been living. Like a cool wind on a warm summer evening, you can close your eyes and let Higuchi’s music improve your mood.
- Mason Jones

I’ve been a huge admirer of Higuchi’s work for years, but this album hit differently. There’s a fragility to these minimal guitar and vocal compositions that feels just like 2020 felt – hanging on by the thinnest threads, riding wave after endless wave until you think you will break, only to stave off the breakdown by the slimmest of margins… and then you do it all again. It’s a beautiful, impactful album.
- Brad Rose

Tokyo-based musician Hisato Higuchi (樋口寿人) assembles pedaling shapes of wraithlike guitar; blasted, genderless vocals; and thin films of digital electronics and fuzz. On guitar he plays blues as oratonical as Loren Mazzacane Connors, moving from chords that sing like guts of pianos through slouched single notes, propping up song forms as nod-out beautiful as anything conceived by Kendra Smith and David Roback.
- The Wire Magazine

Higuchi's compositions are centered around electric guitar and soft vocal flourishes that take shape with ease. (…) The guitar work is highly textural and minimal, and the tonal shifts from track to track give an indication of Haguchi's attention to detail. The playing here is some sort of washed-out, sustained blues that is always spacious and never hurried.
- digitalisindustries.com

credits

released March 20, 2022

消える三部作 Kieru Sanbusaku (Disappearing Trilogy) Vol.3

Electric Guitar, Vocals, Hum Noise & Lyrics by Hisato Higuchi
Recorded, Mixed, Mastered & Photo by Hisato Higuchi
Design & Layout by 若潭 Ruò Tán
歌詞中文翻譯 Lyrics Translated to Chinese by Chzaza & 劉堅白

hisatohiguchi.bandcamp.com

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